“Parasite” Filmmaker Bong Joon Hos Original Science Fiction film “Mickey 17” Opened on the North American money maps. According to the studio estimates on Sunday, the film made by Robert Pattinson deserved $ 19.1 million on his first weekend within the cinemas, which was sufficient to go throne “Captain America: Brave New World” After a 3 -week reign.

In overseas, “Mickey 17” has already earned 34.2 million dollars and increased its global total variety of 53.3 million US dollars. However, the profitability of the film is distant: the production cost 118 million US dollars, which is just not chosen for thousands and thousands that were spent on marketing and promoting.

Every week after the OscarsWhere “Anora” filmmakerSean Baker Have gave a passionate speech in regards to the importance of theater experience – for filmmakers who proceed to make movies for the large screens, for distributors to think about theater publications and for the audience – “Mickey 17” is probably the right representation of this moment in business work or at the least an interesting case study. It is an original film from an Oscar winner, which was led by a big star that received a blockbuster budget and received a strong theater publication by Warner Bros., considered one of the few remaining large studios. Despite all of this and evaluations that were mostly positive (79% with Rottentomatoes), the audience didn’t treat it as an event film, and it could ultimately be difficult to achieve the profit threshold.

Bong Joon Hos successor to the Oscar winner Hollywood beats. Based on the novel “Mickey7” by Edward Ashton, Pattinson plays an unnecessary worker who dies of missions and is repeatedly reprinted. Steven Yeun, Naomi Ackie, Toni Collette and Mark Ruffalo also play.

It was opened at 3,807 locations in Germany and best suited in New York and Los Angeles. Premium large -format ideas, including IMAX screens, also made up almost half of the opening weekend. Internationally, it was particularly good in Korea, where there have been an estimated 14.6 million US dollar.

Jeff Goldstein, who leads the domestic distribution for Warner Bros., said: “47% of the audience saw it in the premium format, which shows that there is great interest from cinema fans to see the film.”

“Director Bong is one of the few directors of the marquee together with Denis Villeneuve, Quentin Tarantino and Chris Nolan, whose fans really drive the film,” he added.

“Mickey 17” also has great competition for several weeks. The studio looks on the long game.

Second place went to “Captain America: Brave New World”, which added 8.5 million US dollars from 3,480 locations in North America and 9.2 million US dollars. The global total is currently 370.8 million US dollars. The Walt Disney Studios are on the proper track, the primary studio in 2025 this week to a studio of $ 1 billion.

Holdovers “Last Breath”, “The Affe” and “Paddington in Peru” rounded off the highest 5. The weekend also had several other newcomers in “In The Lost Lands”, a fantasy film by Paul WS Anderson with Milla Jovovich and Dave Bautista and the “Ruls Breakers” from Angel Studios, about Afghan girls in a Robotics team.

Neon increased the variety of theater for “Anora” to almost 2,000 screens after it won five Oscars on Sunday, including the very best picture, the very best director and the very best actress. It earned an estimated 1.9 million US dollar (by 595% in comparison with last weekend) and brought its total variety of income to $ 18.4 million.

According to ComScore data, your complete money register of 2025 increases by 1%, where it was last 12 months from this weekend, and 34.2% to the last pre-Pandemic evening 2019.

“This is the roller coaster that is the box office,” said Paul Dergarabedian, Senior Media Analyst at Comscore. “You have two or three weeks, it may well affect the top result and the proportion advantage. But it should come back. “

Estimated ticket sales from Friday to Sunday in the USA and Canadian theaters, says Comscore. The final domestic numbers will be published on Monday.

1. “Mickey 17”, 19.1 million US dollars.

2. “Captain America: Brave New World”, 8.5 million US dollars.

3. “Last breath”, 4.2 million US dollars.

4. “The Affe”, 3.9 million US dollars.

5. “Paddington in Peru”, 3.9 million US dollars.

6. “Hundemann”, 3.5 million US dollars.

7. “Anora”, 1.9 million US dollars.

8. “Mufasa: The Lion King”, 1.7 million US dollars.

9. “Rule Breakers”, 1.6 million US dollars.

10. “In the lost country” $ 1 million.

Originally published: March 9, 2025 at 3:04 p.m. PDT

In May 2024, OpenAI CEO Sam Altman sparked a firestorm by referring to the film “Her” to spotlight the novelty of the most recent iteration of ChatGPT.

Within a number of days, actress Scarlett Johansson, who played the voice of Samantha, the protagonist’s AI girlfriend, within the film “Her”, accused the corporate of abusing her voice after turning down their offer to be the voice of ChatGPT's latest virtual assistant. Johansson sued OpenAI And was invited to testify before Congress.

This dispute highlights a broader exchange between Hollywood and Silicon Valley referred to as “Science fiction feedback loop.” The topic of my PhD thesis, the science fiction feedback loop, examines how science fiction and technological innovation influence one another. This dynamic is bidirectional and might sometimes extend over many a long time, leading to an infinite loop.

Fiction awakens dreams of moon trips

One of the best-known examples of this cycle is the trip to the moon.

Jules Verne’s 1865 novel “From the Earth to the Moon“ and the fiction of HG Wells inspired one of the first films to visualize such a journey, “A trip to the moon.”

The novels of Verne and Wells also influenced future rocket scientists corresponding to Robert Goddard, Hermann Oberth and Oberth’s better-known protégé, Wernher von BraunThe innovations of those men – including the V-2 rocket von Braun during World War II – inspired works of science fiction, corresponding to the 1950 film “Target Moon”, which included a rocket that looked exactly just like the V-2.

Films like “Destination Moon” would then proceed strengthen public support for the generous government spending on the space program.

Creative symbiosis

The science fiction feedback loop generally follows the identical cycle.

First, the technological climate of a selected era will shape the science fiction of that point. For example, the Personal Computing Revolution of the Seventies and Eighties directly inspired the works of cyberpunk authors Neal Stephenson And William Gibson.

Then the science fiction that results will encourage technological innovations in the true world. In his 1992 classic “Snow crashStephenson coined the term “metaverse” to explain a three-dimensional, video game-like world that may be accessed through virtual reality glasses.

Entrepreneurs and innovators from Silicon Valley have tried to create a version of this metaverse since then. The virtual world of video games Second Lifewhich launched in 2003, tried this: Players lived in virtual houses, went to virtual dance clubs and virtual concert events with virtual friends, and even got virtual dollars for showing up for virtual jobs.

This technology was the breeding ground for other fictional works. During my research, I discovered that science fiction creator Ernest Cline had spent plenty of time in Second Life and had used it to create the metaverse of his best-selling novel “Ready Player One.”

The cycle continued: Employees of Oculus VR – now referred to as Meta Reality Labs – received copies of Ready Player One after they were developing the corporate’s virtual reality headsets. When Facebook modified its name to Meta in 2021It did so within the hope of being on the forefront of constructing the metaverse, although the corporate’s grand ambitions have softened somewhat.

Another sci-fi franchise that has its fingerprints throughout this loop is “Star Trek,” which first aired in 1966, in the course of the space race.

Steve Perlman, the inventor of Apple’s QuickTime media format and player, said he was inspired through an episode of Star Trek: The Next Generation wherein Lt. Commander Data, an android, searches through several audio and video streams. And Rob Haitani, the developer of the Palm Pilot operating system, said that the bridge on the Enterprise influenced its interface.

During my research I also came upon that the holodeck of the show – a room that might simulate any environment – ​​influenced each the name and the event of Microsoft’s Augmented Reality Glasses HoloLens.

From ALICE to “Her”

Which brings us back to OpenAI and “Her”.

In the film, the protagonist Theodore, played by Joaquin Phoenix, gets an AI assistant named “Samantha,” who’s voiced by Johansson. He begins to develop feelings for Samantha – a lot in order that he starts to think about her his girlfriend.

ChatGPT-4o, the most recent version of generative AI software, appears to give you the chance to create an analogous relationship between user and machine. ChatGPT-4o cannot only check with you and “get” you, but it could actually achieve this compassionately, like a romantic partner would.

There is little doubt that the depiction of AI in “Her” influenced the developers of OpenAI. In addition to Altman’s tweet, the corporate Promotional videos for ChatGPT-4o show a chatbot that talks to a candidate before his interview, supporting and inspiring him – like an AI friend would do. The AI ​​within the clips, Ars Technica observedwas “disarmingly lifelike” and able to “laugh at your jokes and your silly hat.”

But you is perhaps surprised to know that an earlier generation of chatbots inspired Spike Jonze, the director and screenwriter of Her, to put in writing the screenplay. Almost a decade before the film's release Jonze had interacted with a version of the ALICE chatbotone in all the primary chatbots with a definite personality – within the case of ALICE, that of a young woman.

The chatbot ALICE won the Loebner Prize thrice, which was awarded annually until 2019 to the AI ​​software that got here closest to passing the Turing testhas long been considered the brink for determining whether artificial intelligence is not any longer distinguishable from human intelligence.

The science fiction feedback loop has no expiration date. The ability of AI to construct relationships with humans is a subject that continues to be explored in fiction and real life.

A couple of years after “Her”Blade Runner 2049” showed a virtual friend, Joiwith a holographic body. Long before the recent drama with OpenAI, firms had begun Development and placement of virtual girlfriendsa process that may undoubtedly proceed. As science fiction creator and social media critic Cory Doctorow wrote in 2017“Science fiction can do something better than predict the future: it can do it.”