Morning sports update

James White urged patience towards Jerod Mayo: After the Patriots' 1-6 begin to the season – and the Jerod Mayo era – a former Super Bowl hero has thrown his support behind the embattled head coach.

Mayo called his team “soft” after a 32-16 loss to the Jaguars in London in Week 7, during which New England gave up greater than 170 rushing yards for the third straight game.

His comments sparked polarizing reactions and even prompted a dissenting response from former Patriots coach Bill Belichick. Mayo has since clarified that he specifically described his team as playing softly.

But speculation about his skilled status has by some means begun lower than a yr into his tenure in New England.

In response to the dramatic backlash against Mayo and his comments, former Patriots running back James White recently tried to strike a more measured tone Interview with Taylor Kyles of CLNS.

“I mean, when you're 1-6, things aren't going right, you can't score on offense, teams are overrunning you on defense, people are going to notice that every little thing you do is working too. Be that Wrong ones and they want you to do the opposite of what you’re doing,” he explained.

White tried to get fans to step back and think in regards to the circumstances for a moment.

“I just think everything is under the microscope at the moment and that's what happens when you lose football games. I think Mayo is doing a good job,” he said. He noted that the brand new coach simply has a distinct style than his predecessor.

“I just think it’s different. People aren't used to it. He’s going to be himself,” White said of Mayo. “He can’t be in the media Bill. Come on, let's just call it that. He won't be less talkative or less descriptive. Maybe he'll get to that point at some point, I don't know. He’s just trying to be himself and I just think people aren’t really open to that right now because they’re not winning.”

New England is off to its worst start since 1993, when the Patriots opened the season 1-11.

White said rebuilding will take time and require patience, even whether it is difficult to muster.

“We have to let things flow,” he said. “It’s just the nature of the game. When you're losing in the NFL, you're going to hear all sorts of things about what you have to do and what you shouldn't do. That’s exactly what it takes.”

As for advice for Patriots fans, the three-time Super Bowl winner emphasized that he tries to see the larger picture.

“Just manage your expectations,” White said. “Most of you probably assumed from the start that we wouldn't win many football games. And now that we are in the situation, everyone is ready to abandon ship. Fire this guy, fire this guy, trade this guy, get rid of this guy. That's not how this whole operation works.

“It’s Mayo’s first year as head coach. Let him learn and grow throughout the year. Let these players learn and grow together. You have a rookie quarterback. It looks like his future is bright. Let it grow all year round.”

While staying among the many league's elite is difficult within the context of New England's decades-long track record, White believes Patriots fans need to search out something to be optimistic about despite the loss.

“Just find the positive,” White said. “It can be difficult to find the positive in what you see out there every weekend.”

“I really believe these guys are going to continue to compete,” he added, “and they're going to compete harder as the year goes on. “It's hard, it's not fun. I'm telling you, as a player, it's no fun going into that constructing after losses, especially after six losses in a row. I mean, I’ve never been on this predicament myself, but I can only imagine it.”

And as for calls to fireside Mayo so quickly initially of his first head coaching job, White warned fans and pundits to pump the brakes.

“There is obviously outside noise. There will also be some noise inside the building. I think Mayo will do a good job keeping these guys together,” White concluded. “As fans, when we watch, there is nothing wrong with being a harsh critic. That's fine, but when it comes to saying, “Fire this guy, trade him,” I don't think we need to achieve that goal. This is the first year of this operation. It will take some time.”

Interesting facts: As a senior at Wisconsin, James White combined for 3,053 rushing yards with which future NFL first-round pick?

(Answer below).

Note: This player was drafted by the Chargers.

Scores and schedules:

Tonight the Celtics face the Wizards in Washington at 7 p.m

The Bruins can even host the celebrities at TD Garden tonight (at 7 p.m.).

More from Boston.com:

A more in-depth have a look at the rings: The Celtics shared a video showing step-by-step how the team's championship rings were forged.

On today: In 2004, the Red Sox won Game 2 of the World Series 6-2 against the Cardinals to take a 2-0 lead. Curt Schilling, still bothered by his ankle injury, managed to last six innings, allowing only one unearned run. As a testament to the team's strength, Boston won despite David Ortiz and Manny Ramirez going just 1-7 overall on the night.

Jason Varitek's triple gave the Red Sox an early lead in the underside of the primary, and extra clutch hits from Mark Bellhorn and Orlando Cabrera each scored two runs. Although Bill Mueller made three errors at third base, he also managed to step up his defense at times and help Schilling escape several jams.

Daily highlight: Vancouver forward Ryan Gauld scored an impressive chip within the MLS Western Conference wild card match on Wednesday. The Whitecaps advanced with a 5-0 win over Portland.

“There is an old saying,” says longtime numismatic dealer Bob Campbell, “that gold brings people together like fire in a dark room.”

Unfortunately for Campbell, gold also attracts thieves.

That's why Campbell is now offering a $10,000 reward for information resulting in the arrest and conviction of the one that stuck his hand right into a broken display case on the Long Beach Expo on Thursday, June 6, and stole an unusually large, 27-ounce gold nugget that Campbell estimated was price $82,000.

The owner of the nugget says it was discovered within the Yolo River in 1849 in the course of the California Gold Rush. https://t.co/angG2qlMzK

— KCAL News (@kcalnews) June 9, 2024

Campbell, 66, owner of the All About Coins shop in Salt Lake City, said the nugget is price $64,000 based on its gold content alone, but he believes its history multiplies its true value. Campbell said the nugget was dug from the Yolo River in the course of the Gold Rush.

“We believe it goes back to the 49ers when they first found gold. Very few gold nuggets survive from that time because most people melted them down,” Campbell said in an interview shortly after returning to his shop on Saturday.

Collectors flock to the three-day show on the Long Beach Convention Center to purchase and sell coins, precious metals and trading cards.

Campbell's stand was busy with customers on Thursday when the person took advantage of a broken hinge on the locked display case, put his finger under a lip and opened the case. Surveillance images showed the person looking over his shoulder as he pocketed the nugget and walked away.

Other dealers told Campbell that they had seen the thief at previous shows. Campbell believes the person probably had accomplices.

Campbell filed a report with Long Beach police. He said it might be difficult to resell the nugget without attracting attention since it has turn out to be notorious. But Campbell said he hopes the thief will try it as a substitute of melting it down.

“Thieves get caught because they are stupid,” Campbell said.

Long Beach Police spokeswoman Hannah Ortiz confirmed that police are investigating the reported theft.

Campbell said he hopes to get one other opportunity to display the nugget in his display case.

“I love putting history in people's hands,” he said. “There's nothing better than holding it in your hand and imagining who held it before, all the way back to the miner who dug it out of the mine. That would have been talked about in the mining camps for years to come.”

“Hello to all the lovely lesbians out there! My name is Debbie and I'm here to show you a few things you can do to take care of your vaginal health.”

This is how the primary segment “Lesbian Health” begins on “Dyke TV”, a lesbian-feminist television series that aired on New York’s public broadcasters from 1993 to 2006.

The half-hour program focused on lesbian activism, social issues, arts and film, news, health, sports and culture. Created by three artists and activists – Cuban playwright Ana Simo, theater director and producer Linda Chapman and independent filmmaker Mary Patierno – Dyke TV was one among the primary television shows by and for LGBTQ women.

Many people think that LGBTQ+ representation on television only began within the Nineteen Nineties in shows like “Ellen” And “Will and Grace”, LGBTQ+ people had already produced their very own television programs on local channels within the US and Canada for a long time.

Actually My research has shown Hundreds of publicly accessible LGBTQ+ series produced across the country.

In a media environment that has historically been hostile to LGBTQ+ people and issues, LGBTQ+ people created their very own local programs to shine a highlight on their lives, communities and issues.

Experimentation and advocacy

In this special health segment on “Dyke TV,” a lady undergoes a cervical examination on camera using a mirror, a flashlight and a mirror.

Close-ups of this woman's genitals reveal her vulva, vagina and cervix as she narrates the examination in a matter-of-fact tone and explains how viewers can use these instruments themselves to ascertain for vaginal abnormalities. “Dyke TV” recalls the ethos of the Seventies women's health movement and instructs viewers to empower themselves in a world where women's health care is marginalized.

Because there was little regulation of public television in New York, the show's hosts were capable of speak openly about sexual health and broadcast segments that might otherwise have been censored on the printed networks.

How today’s LGBTQ content creatorsMany producers of publicly accessible LGBTQ+ series have experimented with genre, form and content in entertaining and imaginative ways.

LGBTQ+ actors, entertainers, activists and artists – who often experienced discrimination and symbolic politics within the mainstream media – appeared in these series to advertise and discuss their work. The iconic drag queen RuPaul began his public appearances in Atlantawhere “The American Music Show” gave him a platform to advertise his burgeoning drag persona within the mid-Eighties.

The producers often viewed their series as a combination of entertainment, art and media activism.

Shows like “The Gay Dating Game” And “Be my guest“ were ironic satires about game shows from the 1950s. News programs like “Gay USA,” which first aired in 1985, covered local and national LGBTQ news and health issues.

Variety shows like “The Emerald City” in the 1970s, “Gay Morning America“ in the 1980s and “Candied CameraIn the 1990s, interviews, musical performances, comedy sketches and news broadcasts were combined. In soap operas such as “Secret passions”, featured gay amateur actors. And street interview programs like “The Glennda and Brenda Show“ used drag and street theater to stimulate discussion about LGBTQ issues.

Other programs contained more revealing content.

In the Eighties and Nineteen Nineties, “Men & Movies”, “The Closet Case Show” And ““Men for Men” by Robin Byrd“ contained interviews with porn stars, clips from porn videos and photographs of sex in nightclubs and at parties.

Bypassing censorship

The regulation of sex on cable television has long been a political and cultural focus.

But legal loopholes inadvertently allowed sexual content to be made publicly available, allowing hosts and guests on these shows to talk openly about gay sex and safer sex practices – and even exhibit them on camera.

The impetus for public television was much like the ethos of public broadcasting, which aimed to create non-commercial and academic television programs. within the service of the general public interest.

In 1972 The Federal Communications Commission issued an order Cable television systems within the nation's 100 largest markets must offer access channels for public use. The FCC has ordered cable corporations to allocate airtime, equipment and studio space to individuals and community groups to make use of their very own programming on a first-come, first-served basis.

The FCC's regulatory authority doesn’t extend to editorial control over publicly available content. For this reason, repeated attempts have been made to ban programs across the Seventies, Eighties And Nineteen Nineties was questioned by cable producers and civil rights organizations.

The The Supreme Court has repeatedly overturned laws who try and censor cable access programs by citing the First Amendment. A cable network operator can refuse to broadcast a program that accommodates “obscenity,” but what constitutes obscenity is a matter of interpretation.

Over the years, producers of LGBTQ-themed shows have vehemently defended their programs against calls for censorship, and the law has at all times been on their side.

The AIDS crisis in focus

As the AIDS crisis began to ravage LGBTQ+ communities within the Eighties, public television became increasingly vital.

Many of the series mentioned above devoted several sections and episodes to discussing the devastating impact of HIV/AIDS on their personal lives, relationships and communities. Series similar to “Living with AIDS”, “Homovisions” And “Experience it live!” were specifically designed to teach and mobilize viewers about HIV/AIDS activism. With HIV/AIDS recipients minimal coverage within the mainstream media – and a Lack of political motion by local, state and national authorities – these programs were among the many few places where LGBTQ+ people could learn in regards to the latest developments regarding the epidemic and efforts to combat it.

The long-standing program “Gay USA” is one among the few remaining LGBTQ+ public access series; latest episodes air each week locally in New York and nationally on Free Speech TV. While public access channels still exists in most cities within the countryProduction has declined for the reason that advent of cheaper digital media technologies and streaming video services within the mid-2000s.

And yet, on this media age – let’s call it “the heyday of public television” – these combative, experimental, sexual, kitschy and powerful series offered remarkable insights into the culture, history and activism of the LGBTQ+ movement.