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	<title>loyal &#8211; USA NEWS LIVE</title>
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		<title>They were loyal Republicans – until Trump and abortion bans</title>
		<link>https://bloggingthree.soflytech.com/2024/10/they-were-loyal-republicans-until-trump-and-abortion-bans/</link>
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		<dc:creator><![CDATA[enzo2go]]></dc:creator>
		<pubDate>Fri, 11 Oct 2024 19:27:39 +0000</pubDate>
				<category><![CDATA[Politics]]></category>
		<category><![CDATA[abortion]]></category>
		<category><![CDATA[bans]]></category>
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					<description><![CDATA[“I consider myself a true Republican. We always referred to Biden and Kamala as &#39;corpses and cacklers&#39; in our house.&#8221; &#8220;I&#39;m a lifelong Republican &#8211; with smaller government, lower taxes and no interference in our lives.&#8221; &#8220;I grew up in the Reagan era and Reagan was a hero in my homeland. So he was my [&#8230;]]]></description>
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<p class="css-8hvvyd">“I consider myself a true Republican. We always referred to Biden and Kamala as &#39;corpses and cacklers&#39; in our house.&#8221; &#8220;I&#39;m a lifelong Republican &#8211; with smaller government, lower taxes and no interference in our lives.&#8221; &#8220;I grew up in the Reagan era and Reagan was a hero in my homeland. So he was my hero.&#8221; &#8220;I think these days you really can&#39;t say that someone who&#39;s pro-choice has to be liberal.&#8221; Abortion is changing the Republican Party in this election. Here in Arizona, nearly a third of Republicans say they will support Proposition 139, a state ballot measure that would legalize abortion up to about 24 weeks. “I would say 20 years ago that definitely wouldn&#39;t have been the case.” We spoke to 3 long-time Republican Party supporters about how the top of Roe v. Wade affects their vote. “I grew up very Catholic. I have never known anyone who had an abortion. I don&#39;t think I said the word out loud until after I got married.&#8221; &#8220;When I heard Roe was overturned, I wasn&#39;t particularly surprised. Our state law reverted to the previous law from 1864.&#8221; &#8220;No one could quite believe it. I mean, it really came so quickly.” The 1864 law was passed in the course of the Civil War, when Arizona was still a territory, and imposed a near-total ban on abortion. “Even conservatives in Arizona thought it made little sense.” The law was repealed in May and a ban was imposed after 15 weeks. But it caused some Arizonans to reconsider their stance on abortion. “I had to stop and think: How do I feel about this? What could be the possible impacts? And the more I read, the more news I watched, the more afraid I became for women. I am a member of The Church of Jesus Christ of Latter-day Saints. I am a mother of 10 children and a grandmother. While I believe in the sanctity of life, I just don&#39;t believe it&#39;s my right to choose someone else.&#8221; &#8220;I think when people go through something like this, it&#39;s probably the most painful decision they&#39;ve ever made have. I was a delegate to the 2016 convention, and the day we had the vote in Arizona to go to convention, I realized I was bleeding. It turned out that I was somehow pregnant and it had started. I went to the doctor and had to have a D&#038;C done. Let&#39;s assume the 1864 law was in force. Would they have allowed me to have a D&#038;C? Would they have investigated me? I voted for Trump in 2016; I voted for Trump in 2020, but I will not vote for him again.&#8221; &#8220;President Trump is proud of his dismantling of Roe v. Wade. It doesn’t serve women well. It doesn&#39;t serve the country well. And that&#39;s why I can&#39;t support that and I would say to my friends: If Prop 139 is your problem, I don&#39;t see how you could support candidate Trump.&#8221; &#8220;I will always be a Republican. I listen to NPR in the mornings, it reminds me every day why I&#39;m a Republican, but I can&#39;t imagine voting for either party at this point, for neither party.&#8221; &#8220;I&#39;m going to vote for Kamala Harris. I did phone banking once and will do it again. This time I think a lot of Arizonans feel, and I feel, that our voice actually counts.”</p>
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		<title>Many years after Billie Holiday’s death, “Strange Fruit” continues to be a burning testimony of injustice – and constant solidarity with those who are suffering</title>
		<link>https://bloggingthree.soflytech.com/2024/07/many-years-after-billie-holidays-death-strange-fruit-continues-to-be-a-burning-testimony-of-injustice-and-constant-solidarity-with-those-who-are-suffering/</link>
					<comments>https://bloggingthree.soflytech.com/2024/07/many-years-after-billie-holidays-death-strange-fruit-continues-to-be-a-burning-testimony-of-injustice-and-constant-solidarity-with-those-who-are-suffering/#respond</comments>
		
		<dc:creator><![CDATA[enzo2go]]></dc:creator>
		<pubDate>Mon, 15 Jul 2024 14:47:37 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Billie]]></category>
		<category><![CDATA[burning]]></category>
		<category><![CDATA[death]]></category>
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		<category><![CDATA[fruit]]></category>
		<category><![CDATA[Holidays]]></category>
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		<guid isPermaLink="false">https://bloggingthree.soflytech.com/?p=9047</guid>

					<description><![CDATA[65 years ago, on July 17, 1959, Billie Holiday died at New York&#39;s Metropolitan Hospital. The 44-year-old singer arrived after being turned away from a close-by charity hospital for drug abuse after which lay on a stretcher within the hallway for hours. undetected and unsupervisedHer assets amounted to 70 cents within the bank and a [&#8230;]]]></description>
										<content:encoded><![CDATA[<p></p>
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<p>65 years ago, on July 17, 1959, Billie Holiday died at New York&#39;s Metropolitan Hospital. The 44-year-old singer arrived after being turned away from a close-by charity hospital for drug abuse after which lay on a stretcher within the hallway for hours. <a href="https://archive.org/details/sim_down-beat_1959-07-09_26_14/page/10/mode/2up">undetected and unsupervised</a>Her assets amounted to <a href="https://books.google.no/books/about/Ebony.html?id=atcDAAAAMBAJ&#038;redir_esc=y">70 cents within the bank and a roll of banknotes</a> hidden with them, their share of the payment for <a href="https://www.penguinrandomhouse.com/books/558484/billie-holiday-the-last-interview-by-billie-holiday/">a tabloid interview</a> she gave <a href="https://www.pinterest.com/pin/535154368217367176/">on her deathbed</a>. </p>
<p>Today, Holiday is revered as one of the crucial influential musicians of all time. Time Magazine called <a href="https://time.com/archive/6737430/the-best-of-the-century/">their 1939 recording of “Strange Fruit”</a> the song of the twentieth century. &#8220;In this sad, somber song about lynching in the South,&#8221; wrote Time in 1999, &#8220;the greatest jazz singer in history grapples with history itself.&#8221;</p>
<p><a href="https://www.npr.org/2012/09/05/158933012/the-strange-story-of-the-man-behind-strange-fruit">Abel Meeropol</a>a New York teacher and songwriter who used the pseudonym Lewis Allan, wrote “Strange Fruit” after seeing a photograph of a lynching that <a href="https://go.gale.com/ps/i.do?id=GALE%7CA391856050&#038;sid=googleScholar&#038;v=2.1&#038;it=r&#038;linkaccess=abs&#038;issn=07344392&#038;p=AONE&#038;sw=w&#038;userGroupName=anon%7Efa92718e&#038;aty=open-web-entry">shocked and persecuted him</a>: “Black body sways in the southern breeze / Strange fruits hang from the poplars.” </p>
<p>Holiday&#39;s interpretation of Meeropol&#39;s song is as stunning &#8211; and haunting &#8211; today because it was when it was first recorded. &#8220;It hits hard,&#8221; wrote columnist Samuel Grafton shortly after the record&#39;s release in 1939. &#8220;<a href="https://search.worldcat.org/title/889909123">It&#39;s like a game of &#8220;Let&#39;s pretend&#8221; has come to an end</a>.” </p>
<p>I&#8217;m <a href="https://search.asu.edu/profile/104776">a scholar of American religion</a>, <a href="https://press.princeton.edu/books/hardcover/9780691049632/culture-and-redemption">literature</a>And <a href="https://www.psupress.org/books/titles/978-0-271-08095-6.html">The arts</a>and I&#39;m involved in the way in which that even powerful secular works draw their energy from religious narratives of justice, injustice, truth-telling, and redemption. Strange Fruit is  example for me.</p>
<figure>
<p><iframe title="Billie Holiday - &quot;Strange Fruit&quot; Live 1959 [Reelin&#039; In The Years Archives]" width="1170" height="878" src="https://www.youtube.com/embed/-DGY9HvChXk?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe></p><figcaption><span class="caption">Billie Holiday sings “Strange Fruit” in 1959.</span></figcaption></figure>
<h2>Unflinching Translation of texts</h2>
<p>Like so many composers whose songs Holiday has recorded – <a href="https://thesongbook.org/hall-of-fame/songbook-hall-of-fame-honorees/george-ira-gershwin/">George and Ira Gershwin</a>, <a href="https://thesongbook.org/about/news-media/the-songbook-blog-items/irving-berlins-america/">Irving-Berlin</a>, <a href="https://thesongbook.org/about/news-media/the-songbook-blog-items/everybodys-favorite-composer-jerome-kern/">Jerome Kern</a> – Meeropol got here from a family of Jewish immigrants in America who fled anti-Semitic violence in Europe. </p>
<p>Two major migrations shaped America within the early twentieth century: <a href="https://www.penguinrandomhouse.com/books/190696/the-warmth-of-other-suns-by-isabel-wilkerson/">from the agricultural south to the economic north</a>And <a href="https://www.loc.gov/classroom-materials/united-states-history-primary-source-timeline/progressive-era-to-new-era-1900-1929/immigrants-in-progressive-era/">From the Old World to the New</a>. Both <a href="https://guides.osu.edu/greatmigration/strangefruit">were driven</a>partly by the will <a href="https://www.loc.gov/classroom-materials/immigration/polish-russian/a-people-at-risk/">leave racial terror behind</a>. </p>
<p>Together, these migrations enabled a few of the most enduring musical collaborations of the twentieth century. Thematically, the joint productions of black and Jewish musicians – Broadway productions of “<a href="https://www.pbs.org/wnet/broadway/shows/show-boat/">Show boat</a>&#8221; And &#8220;<a href="https://www.nytimes.com/2019/09/19/arts/music/porgy-bess-gershwin-metropolitan-opera.html">Porgy and Bess</a>”, Holiday’s performances with <a href="https://indianapublicmedia.org/afterglow/billie-holiday-big-bands.php">Benny Goodman</a> And <a href="https://billieholiday.com/timeline/she-teams-with-artie-shaw-becoming-the-first-black-woman-to-work-with-a-white-orchestra/">Artie Shaw</a> – tended to avoid the brutal reality of prejudice and as a substitute deal with the luxuries of unusual happiness and unhappiness.</p>
<p>“Strange Fruit” was different. The song looks unflinchingly on the “strange fruit” of the title: hanged, burned and mutilated flesh rotting on a tree.</p>
<p>Until the twentieth century, there have been white vigilante groups <a href="https://www.digitalhistory.uh.edu/disp_textbook.cfm?smtid=2&#038;psid=3178">Thousands of black Americans were murdered with impunity</a>: Lynching after which displaying their bodies as a terrorist spectacle.</p>
<figure class="align-center zoomable">
<div class="placeholder-container" style="--aspect-ratio-percent:72.67904509283821%;--background-color:#414141"><img decoding="async" alt="A black and white photograph of a crowd under a tree where two bloodied men were hanged." class="lazyload" src="https://images.theconversation.com/files/606362/original/file-20240711-17-ddl9i6.jpg?ixlib=rb-4.1.0&#038;q=45&#038;auto=format&#038;w=754&#038;fit=clip" srcset="https://images.theconversation.com/files/606362/original/file-20240711-17-ddl9i6.jpg?ixlib=rb-4.1.0&#038;q=45&#038;auto=format&#038;w=600&#038;h=436&#038;fit=crop&#038;dpr=1 600w, https://images.theconversation.com/files/606362/original/file-20240711-17-ddl9i6.jpg?ixlib=rb-4.1.0&#038;q=30&#038;auto=format&#038;w=600&#038;h=436&#038;fit=crop&#038;dpr=2 1200w, https://images.theconversation.com/files/606362/original/file-20240711-17-ddl9i6.jpg?ixlib=rb-4.1.0&#038;q=15&#038;auto=format&#038;w=600&#038;h=436&#038;fit=crop&#038;dpr=3 1800w, https://images.theconversation.com/files/606362/original/file-20240711-17-ddl9i6.jpg?ixlib=rb-4.1.0&#038;q=45&#038;auto=format&#038;w=754&#038;h=548&#038;fit=crop&#038;dpr=1 754w, https://images.theconversation.com/files/606362/original/file-20240711-17-ddl9i6.jpg?ixlib=rb-4.1.0&#038;q=30&#038;auto=format&#038;w=754&#038;h=548&#038;fit=crop&#038;dpr=2 1508w, https://images.theconversation.com/files/606362/original/file-20240711-17-ddl9i6.jpg?ixlib=rb-4.1.0&#038;q=15&#038;auto=format&#038;w=754&#038;h=548&#038;fit=crop&#038;dpr=3 2262w" sizes="(min-width: 1466px) 754px, (max-width: 599px) 100vw, (min-width: 600px) 600px, 237px"></div><figcaption>
              <span class="caption">A crowd gathers on the lynching of Thomas Shipp and Abram Smith in Marion, Indiana in 1930. This photo is taken into account the inspiration for the poem &#8220;Strange Fruit.&#8221;</span><br />
              <span class="attribution"><a class="source" href="https://www.gettyimages.com/detail/news-photo/crowd-gathering-to-witness-the-killing-of-thomas-shipp-and-news-photo/2664728?adppopup=true">Lawrence Beitler/von Hulton Archive/Getty Images</a></span><br />
            </figcaption></figure>
<p>Seapol <a href="https://go.gale.com/ps/i.do?id=GALE%7CA391856050&#038;sid=googleScholar&#038;v=2.1&#038;it=r&#038;linkaccess=abs&#038;issn=07344392&#038;p=AONE&#038;sw=w&#038;userGroupName=anon%7Efa92718e&#038;aty=open-web-entry">first wrote down the lyrics and music of the song</a> on the back of a cabaret programme from 13 November 1938 – 4 days after Kristallnacht, <a href="https://encyclopedia.ushmm.org/content/en/article/kristallnacht">the night of the murderous anti-Jewish rampages</a> throughout Nazi Germany, which became the turning point for the Holocaust.</p>
<p>For Meeropol, a labor activist and secular Jew, <a href="https://www.blackagendareport.com/bar-book-forum-tracy-fessendens-religion-around-billie-holiday">Black and Jewish Americans marched shoulder to shoulder</a> for freedom from injustice. In one other poem <a href="https://forward.com/news/153734/strange-evolution-of-legendary-song/">He linked violence against blacks with the persecution of Jews</a>: </p>
<blockquote><p>I&#8217;m Jewish.<br />How can I determine that?<br />The lynched Negro<br />Reminds me well<br />I&#8217;m Jewish.</p></blockquote>
<h2>Black Christ</h2>
<p>Just as Meeropol linked prejudices against blacks and Jews, many black Christians also linked their very own suffering to that of the Hebrew slaves within the Bible – and to the suffering of Jesus. </p>
<p>Accordingly <a href="https://utsnyc.edu/blog/2018/04/28/james-cone/">Theologian James Cone</a>“Black ministers preached more about the death of Jesus than any other subject because they saw in Jesus’ suffering and persecution a parallel to their own experience of slavery, racial segregation, <a href="https://orbisbooks.com/products/the-cross-and-the-lynching-tree">and the lynch tree</a>.”</p>
<p>In the last decade wherein Holiday recorded “Strange Fruit,” <a href="https://doi.org/10.1086/JAAHv90n4p368">WEB Du Bois</a>, <a href="https://library.missouri.edu/news/special-collections/the-black-christ-by-countee-cullen-with-illustrations-by-charles-cullen">Count Cullen</a> And <a href="https://dc.lib.unc.edu/cdm/ref/collection/vir_museum/id/445">Langston Hughes</a> all works focus on the figure of <a href="https://www.npr.org/2012/11/19/165473220/color-of-christ-a-story-of-race-and-religion-in-america">crucified black Christ</a>.</p>
<p>Most African-American Christians <a href="https://www.pewresearch.org/religion/2021/02/16/faith-among-black-americans/">belong to Protestant churches</a>but Holiday didn&#8217;t. As a baby she was baptized Catholic in a convent reform school, <a href="https://www.npr.org/2019/08/20/748647755/billie-full-of-grace">Baltimore&#39;s Good Shepherd House for Colored Girls</a>where she was sent twice by the court. She remained an ambivalent Catholic throughout her life.</p>
<h2>The filled cross</h2>
<p>Protestant churches often display the &#8220;empty&#8221; cross, which shows Jesus&#39; instrument of execution, but not his body. The message of the empty cross is resurrection and latest life. According to Christian history, Jesus was crucified, buried <a href="https://www.biblegateway.com/passage/?search=Luke%2024&#038;version=KJV">and rose from the dead</a> to redeem humanity from sin.</p>
<p>In the Catholic world, one is more prone to find the &#8220;filled&#8221; cross: the body of Jesus nailed to the wood with outstretched arms, hands and feet. The crucifix emphasizes the agony of Jesus&#39; death and his solidarity with all who are suffering. </p>
<figure class="align-center zoomable">
<div class="placeholder-container" style="--aspect-ratio-percent:54.64190981432361%;--background-color:#414141"><img decoding="async" alt="A black and white photograph of the interior of an ornate cathedral with a crucifix in the center." class="lazyload" src="https://images.theconversation.com/files/606628/original/file-20240712-17-va46w3.jpg?ixlib=rb-4.1.0&#038;q=45&#038;auto=format&#038;w=754&#038;fit=clip" srcset="https://images.theconversation.com/files/606628/original/file-20240712-17-va46w3.jpg?ixlib=rb-4.1.0&#038;q=45&#038;auto=format&#038;w=600&#038;h=328&#038;fit=crop&#038;dpr=1 600w, https://images.theconversation.com/files/606628/original/file-20240712-17-va46w3.jpg?ixlib=rb-4.1.0&#038;q=30&#038;auto=format&#038;w=600&#038;h=328&#038;fit=crop&#038;dpr=2 1200w, https://images.theconversation.com/files/606628/original/file-20240712-17-va46w3.jpg?ixlib=rb-4.1.0&#038;q=15&#038;auto=format&#038;w=600&#038;h=328&#038;fit=crop&#038;dpr=3 1800w, https://images.theconversation.com/files/606628/original/file-20240712-17-va46w3.jpg?ixlib=rb-4.1.0&#038;q=45&#038;auto=format&#038;w=754&#038;h=412&#038;fit=crop&#038;dpr=1 754w, https://images.theconversation.com/files/606628/original/file-20240712-17-va46w3.jpg?ixlib=rb-4.1.0&#038;q=30&#038;auto=format&#038;w=754&#038;h=412&#038;fit=crop&#038;dpr=2 1508w, https://images.theconversation.com/files/606628/original/file-20240712-17-va46w3.jpg?ixlib=rb-4.1.0&#038;q=15&#038;auto=format&#038;w=754&#038;h=412&#038;fit=crop&#038;dpr=3 2262w" sizes="(min-width: 1466px) 754px, (max-width: 599px) 100vw, (min-width: 600px) 600px, 237px"></div><figcaption>
              <span class="caption">A filled cross or crucifix at St. Paul the Apostle Church in New York, where Holiday&#39;s funeral mass was held.</span><br />
              <span class="attribution"><a class="source" href="https://commons.wikimedia.org/w/index.php?title=File:VIEW_OF_SIDE_AISLE,_NORTH_AISLE,_FROM_CENTER_OF_NAVE_-_Church_of_St._Paul_the_Apostle,_Fifty-ninth_Street_and_Ninth_Avenue,_New_York,_New_York_County,_NY_HABS_NY,31-NEYO,154-4.tif&#038;page=1">Library of Congress via Wikimedia Commons</a></span><br />
            </figcaption></figure>
<p>The accomplished cross also conveys the message that the crucifixion of Christ – God in human form – just isn&#8217;t a one-time event. </p>
<p>&#8220;When [Meeropol] showed me this poem,” Holiday said of “Strange Fruit,” “I dug it out immediately” because it “<a href="https://search.worldcat.org/title/174094990">seemed to explain everything that had killed Pop</a>.&#8221; Her father, jazz guitarist Clarence Holiday, died on the age of 39 while on tour in Texas. She believed he was denied life-saving treatment due to his race.  </p>
<p>Holiday&#39;s &#8220;Strange Fruit&#8221; evokes the finished cross and is a testament to the continued reality of lynching. &#8220;It still depresses me every time I sing it,&#8221; Holiday said. <a href="https://search.worldcat.org/title/174094990">in her autobiography</a>&#8220;But I have to keep singing it&#8230; the things that killed him are still happening in the South.&#8221;</p>
<p><a href="https://www.thehistorymakers.org/biography/vernon-jarrett-39">Journalist Vernon Jarrett</a> remembered seeing Holiday perform in 1947. She &#8220;sang this song <a href="https://search.worldcat.org/title/889909123">as if it were real</a>like she&#39;d just witnessed a lynching,&#8221; Jarrett said of &#8220;Strange Fruit.&#8221; &#8220;There was a sense of resignation, like, &#39;these people are going to be in power for a long time and there&#39;s nothing I can do about it except put it in a song.&#39;&#8221;</p>
<h2>Current will</h2>
<p>Dealing with brokenness fairly than overcoming or overcoming it also describes Holiday&#39;s way of coping with others in precarious situations. Her apartment in Harlem, <a href="https://search.worldcat.org/title/174094990">she said</a>was a “combination of a YMCA, a boarding house for poor musicians, a soup kitchen for anyone with a bad story, a community center and an after-hours bar.” </p>
<p>A papal encyclical from 1943 described the Church itself similarly: <a href="https://www.vatican.va/content/pius-xii/en/encyclicals/documents/hf_p-xii_enc_29061943_mystici-corporis-christi.html">a spot of shared pain, comfort and nourishment</a>. Anyone who had no money “could go there and eat”, poets and jazz singers <a href="https://www.penguin.co.uk/books/358782/with-billie-by-julia-blackburn/9780099483656">Babs Gonzales is recalled to Holiday&#39;s place</a>“She fed everyone in New York for four years.” </p>
<p>Holiday ended her live shows with &#8220;Strange Fruit&#8221; from 1939 until the last months of her life. By making the song her signature, she offered solidarity and a faithful testimony to racial violence and injustice, not a cure. But her testament had extraordinary power. </p>
<p>Shortly after the murder of George Floyd in 2020, Bruce Springsteen, a <a href="https://www.theatlantic.com/ideas/archive/2020/06/bruce-springsteens-playlist/613378/">Fellow Catholic with “concerns</a>,&#8221; made <a href="https://open.spotify.com/playlist/1HKLDuXfPr3CJgyw1CZSyS?si=-bwF-WvDS8mHgMhSzH8Q_Qand&#038;nd=1&#038;dlsi=915945b0221344eb">a playlist for America</a>. At the top of his list was “Strange Fruit.” </p>
<p>When asked if he was optimistic concerning the future, Springsteen responded within the spirit of Holiday: to witness, to not triumph. &#8220;I don&#39;t think anyone really knows where we&#39;re going from here,&#8221; <a href="https://www.theatlantic.com/ideas/archive/2020/06/bruce-springsteens-playlist/613378/">He told author David Brooks</a>But everyone “can already see that the status quo is not right. And that is progress.”</p>
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<p><em>image credit : theconversation.com</em></p>
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