Kenny Chesney is the most recent megawatt music star to sign with the Sphere in Las Vegas.

The multi-platinum artist will perform a 12-night residency on the acclaimed venue Sphere starting in May.

Chesney will probably be the primary country artist to perform concert events within the high-tech Sphere space.

The other Sphere bookings were classic rock bands – U2, Dead & Company and Eagles – in addition to Phish, the extremely versatile (and great) group that actually belongs in a category all its own.

“When we started talking about all the possibilities of playing Sphere, I was all in,” Chesney said in a press release. “The very idea of ​​4D technology and the incredibly tuned sound elevates the experience for No Shoes Nation, literally immersing them in music, images, sound and togetherness. This will be a whole new way for me to rock the fans and I can’t wait.”

Kenny Chesney Sphere tickets go on sale to most of the people on January thirty first at 10 a.m. PT, thesphere.com. There can be a Sphere presale starting January twenty first at 2:00 p.m. (Code: SPHERE).

Vibee is the official VIP concert and hotel package partner for Kenny Chesney's Sphere residency, KennyChesney.Vibee.com.

VIEW DATES
Thursday, May twenty second
Saturday, May twenty fourth
Sunday, May twenty fifth
Wednesday, May twenty eighth
Friday, May thirtieth
Saturday May thirty first
Wednesday June 4th
Friday June sixth
Saturday June seventh
Wednesday, June eleventh
Friday, June thirteenth
Saturday June 14th

Originally published: January 16, 2025 at 9:00 am PST

Celts

Sam Cassell added one other championship title to his resume a number of weeks ago.

As a player, he won three games, two with the Rockets and one with the Celtics. Earlier this month, he helped the Celtics win the 2024 NBA championship as an assistant coach on Joe Mazzulla's team.

Cassell, 54, aspires to be an NBA head coach. He has been an assistant coach since 2009 and has played with the Wizards, Clippers and 76ers along with his most up-to-date stint in Boston.

The Lakers reportedly asked for permission to interview Cassell for the top coaching position, but ultimately hired JJ Redick.

Now the Detroit Pistons have a likelihood after the firing of Monty Williams. During a recent interview with Brandon “Scoop B” Robinson on “Scoop B Radio”TNT analyst Kenny Smith explained why Detroit should consider hiring Cassell.

“You talk about leadership, qualifications and resume. He has all three. Why wouldn't you hire a guy like that when you're looking for a head coach,” Smith said. “He has championship experience at multiple levels. There's nothing you can do in basketball that Sam Cassell hasn't done.”

Smith, who won two titles with Cassell in Houston, said Cassell knows the right way to handle young players.

“If you want a young team to develop players and skills, Sam Cassell is your guy. It's impossible to overlook him at this point after he won an NBA championship. It's like, 'Oh, he was in Houston, they won. Oh, he was there and they won.' It's not an accident to be a champion.”

According to NBA insider Marc Stein, the Celtics are very excited about promoting Sam Cassell to a bigger assistant position on the bench. The Hornets hired former Celtics assistant coach Charles Lee as head coach this offseason.

No matter where you discover Karrin Allyson, you possibly can make sure that she is in good company.

One of jazz's biggest polyglot singers – she has developed an intensive repertoire of songs in French and Portuguese – the New York-based singer delves back into the Brazilian songbook on her recent album, “A Kiss for Brazil” (Origin Records). It's a musical journey she's taken before, most notably on 1999's seductive “From Paris to Rio” and 2008's “Imagina: Songs of Brasil,” each released on Concord Records, the label that released her first dozen albums starting in 1993.

The five-time Grammy nominee had no intention of starting one other Brazilian jazz project, “but my desire to sing with Rosa Passos spurred me to do it,” she said, referring to the favored singer and guitarist from Salvador da Bahia, the best living bossa nova artist. “I knew she was coming to New York to play with Kenny Barron and Ron Carter at Lincoln Center, so I organized it.”

Allyson featured Passos on two tracks from “A Kiss For Brazil,” the album she’s going to debut June 30 at Bach Dancing & Dynamite Society, where she’s going to perform with a stellar Los Angeles combo of pianist Miro Sprague, bassist Karl McComas and drummer Dan Schnelle. “They work together as a trio and are a very tight unit,” said Allyson, who also accompanies herself on piano on a few of the tracks.

Sprague has been Allyson's primary West Coast musician for many of the past decade, including several appearances within the Bay Area. As certainly one of the Southland's leading accompanists, he has made forays north in recent times with artists resembling saxophonist Remy Le Boeuf and singer Sara Gazarek.

Passos won't be with Bach on Sunday, but Allyson is teaming up with one other high quality singer at Oakland's Sound Room on July 5 and 6, when Kenny Washington joins her for 2 evenings of musical conversation. They've formed a solid mutual admiration community over the past few years, attending one another's shows and infrequently sitting in together. But the Sound Room engagement is their first formal collaboration.

“I like the way Karrin is never pretentious about her singing,” said Washington, who plays June 28 and 29 with a trio led by pianist John R. Burr on the Keys Jazz Bistro. This monthly gig has done much to make the North Beach club certainly one of the realm's premier jazz singing venues.

“I like her for her honesty and musicality, on the piano and in her singing. She just sings the songs the way the legendary artists used to sing. She doesn't try to embellish them in a non-musical way.”

Allyson met Karen Van Leuven, who founded and runs the Sound Room together with her husband Robert Bradsby, at Dizzy's Club once they each saw Washington's show at Jazz at Lincoln Center a number of years ago. Van Leuven and Bradsby have been big supporters of Washington for the reason that New Orleans native got here to San Francisco in 1995. They were immediately excited by the thought of ​​presenting him in a special context with Allyson.

“We'll do duets and some things separately,” Allyson said. “It's billed as a musical conversation and we have. One of our favorite songs to sing together is 'The Shadow of Your Smile.'”

As a jazz singer who doesn't perform with a refined chart, Washington likes to let the music emerge on stage, a situation many singers aren't equipped for. He's had a number of memorable performances sharing the stage with Kim Nalley, “where it feels more like there's a horn player on stage,” he said. “The most important thing with another singer is that you encourage each other and understand each other. With Kim, and definitely with Karrin, we go up there without much preparation, and most of the time it just works.”

Allyson's performances aren't exactly a homecoming, but she has some deep ties to the Bay Area that predate Carl Jefferson's signing to Concord, a outstanding singer's label. She grew up in Omaha, but after her parents split up, her mother moved to the Bay Area, and frequent visits led to her moving west to complete highschool.

“I spent my senior year in the Oakland Hills at Holy Names High School,” she said. “I participated in theater in Hayward and did a few plays there,” before enrolling on the University of Nebraska Omaha, where she majored in classical piano and minored in French.

Some three many years after the discharge of her debut album, Concord's I Didn't Know About You, in 1992, Allyson continues to expand the promise of that eclectic program, moving on in style in the corporate of other musical masters.

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KARRIN ALLYSON

With Trio: June 30, 3:30 p.m.; Bach Dancing & Dynamite Society, Half Moon Bay; $45-55 (live stream $10); bachddsoc.org

With Kenny Washington: July 5–6, 7:30 p.m.; The Sound Room, Oakland; $42.50–$50; www.soundroom.org

Kenny Washington: 7 and 9 p.m., June 28-29; Keys Jazz Bistro, San Francisco; $35; keysjazzbistro.com