The son of Audrey Hepburn tried to hit a measured tone when he reacted to violent counter -reactions against Ivanka Trump, who took part in her father's first ball on Monday evening, while he was a duplicate of the famous Givenchy dress within the film “Sabrina” from 1954 .

In an interview With the Daily Mail, Sean Hepburn Ferrer graciously said that he was not surprised that Ivanka Trump desired to pay tribute to his mother. But Ferrer also identified that his mother's views wouldn’t match Trump's draconian politics and hard rhetoric. In fact, the Daily Mail reported that Ferrer “suggested” that his mother, a protracted -time Unicef ​​ambassador who survived the Nazis during World War II, with criticism with the suitable Rev. Mariann Budde, the episcopal bishop of Washington , would agree.

Budde clearly made himself an enemy of Trump and his family after they are afraid during an interreligious inauguration within the Washington National Cathedral on Tuesday during an interreligious inauguration. As the Daily Mail And Washington Post reported.

During Buddes sermon, the President, Ivanka Trump and other members of the Trump family felt visibly uncomfortable, and Tiffany Trump, Donald Trump Jr. and others Seen in front of the camera Exchange offended comments. The bishop asked Trump to assist the fleeing war zones of getting “mercy” about children who “fear that their parents will be taken away” and to have a look at the “gay, lesbian, transgender children in democratic, republican and independent families, of Fear for your life. “

Buddes sermon got here the day after Trump signed an order from the primary executive and announced that the federal government would only recognize “two genders, male and female”. Proponents say that the order would result in a “full deletion” of the transgender rights. Trump can also be within the means of adopting the best deportation of immigrants within the history of US history, without undoubtedly causing Budde to take him into consideration, “the individuals who select our harvests and clean our office buildings who work in poultry farms and meat packaging systems , the, the, the, the, the, the, the, the, the, the, the, the, the,, the, the, the, the, the, the, the, the, the, the , that, the, the, the, the, the, the, the, the plants, the plant, which work in vegetable country farms that work in vegetable pensions, those, the plant that work in vegetable pensions , that, the, the, the, the, the, the, the, the, the, the, the, the plant, wash the dishes after we’ve eaten in restaurants, and work within the night shifts in hospitals. “

Trump did not speak on duty, even though he and the Vice President JD Vance exchanged a quick look when Budde mentioned that the way is to honor dignity by refusing to mock or demonize people, how The Daily Mail also reported. Outside the cathedral, Trump mocked the service of the waiting time of news crews as “not too exciting”. And in the early Wednesday he started a tirade against Budde about the truth and called it a “radical, hard line Trump Hasser”, and he called it as a “radical, hard line, Trump -hater”, and he called it as “radicals, Hard line, Trump -hater “, and he called her as a” radical, hard line “, and called her a Trump hater of” radical, left ” The Washington Post said. He said their statements were “inappropriate” and he said that they and their church “owe an apology”.

In his interview with the unadorned T-Trump Daily Mail, Ferrer sounded as if he wanted to avoid saying something about political, since he dealt with Ivanka Trump's election, to hire the black and white Hubert-Givenchy dress. In Ivanka Trump's name, the White House gave a explanation and said that it was “honored” to wear the dress of the Oscar winner, which “has long been a private inspiration”.

With obvious appreciation, Ferrer said that he was not surprised that Ivanka Trump would inspire his mother, an international style icon, that “embodied elegance, which has his roots in her inner beauty and inner spirit”. He said he expected Trump's oldest daughter grew up in a family who knew his mother as a well -known name. Ferrer also noticed that Ivanka Trump had the dress for such an important occasion as an inauguration of the President. . Day. “What a cocktail,” said Ferrer.

Ferrer also mentioned a surprising Trump family with his mother. Trump's second wife, Marla Maples, was a member of the Audrey Hepburn Children's Fund on the advisory board in the early 1990s and they had celebrated their daughter Tiffany Trump with a charity with the title “Breakfast with Tiffany” – a nod on Hepburn's other classic film.

But “if” what Hepburn would keep with them about Trump's Maga policy or Ivanka Trump's alliance. “” Then the Daily Mail also reported that Ferrer pointed out that her “prospects are more in line” to Buddes.

In the middle of the counter -reaction, critics said that Ivanka Trump's decision to wear the dress was “rough” and “insulting” for Hepburn's memory. On Fauxmoi Sub-Reddit One person wrote: “Before Hepburn was a glamorous, famous actress, she was a rebel against the very political movement of Ivanka's father.”

Another wrote: “Yes, everything that Audrey fans said is true. She experienced the devastation of the Nazis first -hand, and she stayed with her for the rest of her life and inspired her work with Unicef. “

Although Hepburn was born and grew up from an aristocratic family in Belgium, England and the Netherlands, he suffered hunger and other deprivations throughout the Second World War after the Germans entered the Netherlands. In their very own way, the up -and -coming ballet dancer reported that fascism and the nazis crew by giving appearances to gather money to support Dutch resistance. According to reports, she also provided an underground newspaper and food to depressed allied pilots who were hiding within the nearby forest.

Hepburn's hatred of fascism and the Nazis were particularly resonance for people on Reddit. Trump spoke to his former chief of staff John Kelly about authoritarian leaders call him “a fascist”. Years before Vance decided to turn into a Trump loyalist, he publicly called his latest boss an “idiot” and “reprehensible” and Privately compared him to Adolf Hitler.

Another person on Reddit quoted Hepburn as once: “Write nothing terrible that you just hear or read in regards to the Nazis. It is worse than you’ll be able to ever imagine. “

“That is why she (Hepburn) is remembered as an icon,” wrote another person. “She wasn't an American, but I can only imagine what she would consider Trump.”

At the explosion of Ivanka Trump, who acted as a high -ranking advisor to the White House in Trump's first administration, another person said: “She is allowed to have a woman who was personally and deeply affected by Nazi Germany Neo Nazis From January sixth … your stupidity and ignorance never surprise me. “

And one other said that Hepburn's fights as a toddler and teenager “were the opposite of Ivanka's silver spoon”.

Originally published: January 23, 2025 at 1:17 p.m. PST

In an age of overly photographed celebrities, Audrey Hepburn may represent the last generation of enigmatic icons. She broke stereotypes, represented style and sophistication with ease, and influenced multiple generations of ladies world wide.

A significant exhibition of images by Audrey Hepburn has opened on the National Portrait Gallery in London. Subtitled Portraits of an iconThe show features “classic and unseen” images of this most enduring of film stars. The portraits span her profession from her early roles in West End choirs to her humanitarian work for UNICEF.

The cultural lifetime of famous film stars extends long after their death. Classic images of Marilyn Monroe, James Dean and other stars of the Hollywood studio era are still in circulation and recognizable to generations born long after the celebs died. In the digital age, such possibilities multiply endlessly; the recognition of @oldpicsarchive on Twitter, for instance, shows the nice interest in lesser-known star photos. Rare images of film icons are powerful because they appear to supply the chance to look beyond the familiar images that outline a star personality. The “invisible” photo could allow us to catch a glimpse of the “real” person behind the star.

All of this also applies to Hepburn. The ongoing international fascination with them (particularly pronounced in Japan) is of particular importance. Her personality seemed authentic and seemed that the Audrey we knew was not only a construct of the Hollywood publicity machine, but additionally the “real” Audrey: that she actually was who she appeared to be.

This aspect of Hepburn's image is due partly to the repeated emphasis on her huge and elaborately highlighted eyes in each her movies and her portraits. The way she is portrayed throughout, peering over or around things and looking out directly into the camera lens, convinced us of each her innocence and her honesty.

Contradictions and star appeal

In his classic account of movie stars: Richard Dyer found that a central aspect of star appeal is the power to carry ideological contradictions together. An example of that is Marilyn Monroe's ability to seem innocent and deeply sexy at the identical time. It was Hepburn's special ability to resolve central contradictions of Nineteen Fifties femininity that made her a star who particularly appealed to women during this time. She was a star for whom “sexy” rarely played a task.

Hepburn managed to be each feminine and boyish in various ways, “natural” yet confident, different yet acceptably feminine, across cultures and generations. While the fairytale femininities at the middle of her image were traditional – princess, ballerina, couture model – her interpretation of those elements suggested liberation and rise up.

Style and sophistication redefined

It wasn't particularly acceptable for young women to wear pants within the mid-Nineteen Fifties, and black wasn't acceptable either. The tousled, elfin detail of her cropped hair was light years away from the shorter coiffed varieties of older women seen in glossy magazines and on runways on the time.

Hepburn's slender body was the precise opposite of the bombastic hourglass figures of Monroe, Loren and Mansfield. Hepburn's look was harking back to Paris, of Beat culture, of a brand new generation and a brand new style. At the identical time, her demeanor, her voice, and her demeanor appeared to place her firmly in an aristocratic class that was directly ancient European and modern American.

A female star for eternity

Her roles portrayed her as “daddy’s girl,” but she appeared to know her own mind. When I wrote my book about Hepburn, the feminine admirers who shared their thoughts with me often described them as concurrently “classic” yet “crazy,” “natural” yet “perfectly put together.” They told me that their look was one they might copy, one they might take anywhere, a method that offered class but had something special. This was true each for girls who first met her as teenagers within the Nineteen Fifties and '60s and for young women who got here to Hepburn after her death in 1993.

Hepburn's rise to international stardom anticipated the period of enormous cultural change that may characterize the late Nineteen Fifties and Sixties. The combination of her perceived authenticity, an appropriate other femininity, and self-possession appealed to a generation of young women who would negotiate the changes feminism brought. In the Nineteen Nineties, it found wide appeal amongst young women grappling with the “having it all” contradictions of postfeminism. Audrey Hepburn was truly a female star for the ages.